Jack and Eliza were partners again this year, as much as they really want to have new partners. (I'll have to give in to that eventually, but the convenience of living together when they need to practice and perform and attend each other's lessons makes our lives in the weeks leading up to the recital and festival so much easier.)
This year, Jack chose Mozart's "Turkish Rondo" and Eliza chose "Washington Post March" by John Philip Sousa. They both enjoyed both of the pieces, and they sounded great when they finally came together. It really didn't click until just before the recital. They even did some practice performances the day before the festival and those didn't go so well.
Their assigned time to perform for the judge at the festival was 1:20 Saturday afternoon, right in the middle of the day. We wanted to go on a little adventure that day so we decided to leave early-ish for a Saturday so we could get back in time for Jack and Eliza to get changed and practice before we needed to go to the recital hall. Well, we got back late and they literally only had time to run through each of the pieces once before we hurried over to the festival. They were both in a good mood, and they ended up playing really well! They were ecstatic over their performance when we left, saying it was the best they'd played! And I had to wonder if it wasn't good that I didn't drill them the day of the performance - first of all so that they wouldn't be tired/frustrated/annoyed, but secondly because they didn't go into autopilot mode but really thought about what they were doing during the recital.
Whatever the case, they did well enough that they were chosen as winners! We got a call Saturday night that they were in the top 15% of the group of 80-90ish performers and would receive a cash prize soon. There's no winners' recital because of COVID but the cash is the most exciting part anyway, haha.
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